Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In contrast to the free, confident brushwork of his Nassau images, Homer’s watercolors completed in Cuba (winter 1884-85) are characterized by more neutral color and finicky handling. In The Cock Fight , Homer used the simple backdrop of a plaster wall to offset his careful depiction of two decoratively feathered roosters. Although painted with atypical deliberation, the watercolor is intended to capture the fleeting moment when a battered young rooster has just vanquished an older, fully plumed male. As the fallen bird dies, feathers and dust stirred up by the battle still hover in the humid air.
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Félix Bracquemond — The Old Cock
Félix Bracquemond — The Old Cock
Félix Bracquemond (French, 1833–1914) — The Old Cock
Félix Bracquemond (French, 1833–1914) — The Old Cock
Félix Henri Bracquemond — The Old Cock
Félix Henri Bracquemond — The Old Cock
Allen & Ginter|The Gast Lithograph & Engraving Company — And
Albertus Verhoesen — A rooster with Hens and Chicks
Allen & Ginter|The Gast Lithograph & Engraving Company — Sil
anonymous — Decorative Piece with Poultry
Félix Bracquemond (French, 1833–1914) — The Pheasants
Allen & Ginter|The Gast Lithograph & Engraving Company — Bla