● On view now — 235A Japanese
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
When Yosa Buson died, his students raised funds for his daughter Kuno’s second marriage by selling their own paintings and calligraphies attached to surviving drafts of Buson’s poetry and commentary. Here, beneath a section of Buson’s manuscripts, Matsumura Goshun painted nine of the poets Buson judged to be the best at haikai, a humorous form of poetry in which poets take turns contributing verses to a poem. In his inscription, Goshun explained that his choice of subject relates to the content of Buson’s text.
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Luo Ping (Chinese, 1733–1799) — Zhong Kui Supported by Ghost
Yashima Gakutei
Yosa Buson
Kenkō Shōkei 賢江祥啓 — 寒山拾得図 (Kanzan Jittoku zu)|Hanshan and Sh
Kano Tan’yū (Japanese, 1602–1674) — Chinese Sages
Hasegawa Sakon 長谷川左近 — 群仙図屏風|Immortals
Ono no Ozū (Ono no Tsū) 小野通 — 布袋図 (Hotei zu)|Hotei and a Chi
Ichijun (Japanese, active 1700s) — Portrait of Basho
Suzuki Shōnen 鈴木松年|Tomioka Tessai 富岡鉄斎|Murase Gyokuden 村瀬玉田|
Okumura Masanobu — The Roles Reversed, no. 12 from a series
Torii Kiyomitsu I — The Poet Sugawara no Michizane Riding an
Unidentified artist