Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
While the 11th-century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th-century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise was—and remains today—well read by educated Japanese, a person viewing these folding screens would immediately recognize its subject, organized as a series of discrete scenes read from right to left. Neither a signature nor a seal identifies the artist, but judging from related paintings, the work can be ascribed to an artist working in Kyoto during the first quarter of the 17th century in the manner of the painter Iwasa Matabei (1578–1650). This type of historical narrative composition became quite popular around 1600 among patrons favoring a distinctly Japanese style of painting which employed rich mineral pigments and a liberal use of gold.
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祇園大鳥居屏風|The Torii Gate of Gion Shrine
賀茂神社競馬図屏風|Horse Racing at Kamo Shrine
平家物語図屏風 「小督」 「大原御幸」|"Kogō" and "The Imperial Procession to
Horse Race at the Kamo Shrine
Arrival of the "Southern Barbarians"
Scenes from the Tale of Genji
Scenes from the Tales of Ise
Hanabusa Ippo — Hunting Scene
Scenes from the Tales of Ise
Artist unknown
Japanese — Genre Scenes (Fūzoku byōbu)
Kano Takanobu — 狩野孝信工房作 女歌舞伎図屏風|Women’s Kabuki