Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
While the 11th-century Tale of Genji is universally regarded as Japan's literary masterpiece, the source for visual imagery in Japanese culture is rivaled by another literary classic, the Tales of Ise . A 10th-century anthology of poems interspersed with commentary, the Ise portrays the emotional and geographical journey of a courtier from the capital (Kyoto) into the countryside and beyond. The poems describe features of the natural, untamed terrain, linking them to the rather melancholy state of the traveler. Since the Tales of Ise was—and remains today—well read by educated Japanese, a person viewing these folding screens would immediately recognize its subject, organized as a series of discrete scenes read from right to left. Neither a signature nor a seal identifies the artist, but judging from related paintings, the work can be ascribed to an artist working in Kyoto during the first quarter of the 17th century in the manner of the painter Iwasa Matabei (1578–1650). This type of historical narrative composition became quite popular around 1600 among patrons favoring a distinctly Japanese style of painting which employed rich mineral pigments and a liberal use of gold.
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Famous Views of Ōmi
Scenes from the Tale of Genji
Views of Kyoto
Scenes from the Tales of Ise
Tosa School (Japanese) — Scenes from the Tale of Genji
Famous Views of Ōmi
Autumn in the Mountains
Arrival of the "Southern Barbarians"
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming
Horse Race at the Kamo Shrine
Kō Sūkoku (Japanese, 1730–1804) — Spring and Autumn Farming
Scenes from the Tale of Genji