● On view now — Gallery 247
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
“Everything in the landscape blinded and dazzled me,” wrote Paul Gauguin of his first months in Tahiti. Here, he showcased the island’s variety of bountiful fruit trees, including a thick-trunked, violet hotu at left; spindly mango and coconut trees; and three short banana plants with lush, splayed leaves. In the foreground, a man uses a stick to crack a coconut and a family rests in the grass with a sleeping dog beside them. The painting’s coarsely woven canvas, made of a fibrous plant matter (jute), is visible through the paint layer. Cheaper and more readily available than traditional canvas, this support material lends the work a rugged, organic texture.
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Paul Gauguin (French, 1848–1903) — The Large Tree
Paul Gauguin (French, 1848–1903) — The Call
Richard Nicolaüs Roland Holst — Boomgaard te Eemnes
Richard Nicolaüs Roland Holst — Corner of a Garden with
Paul Signac — In Times of Harmony
Paul Cézanne — The Farm at the Jas de Bouffan (La Ferme au J
Pierre-Auguste Renoir — Picnic (Le Déjeuner sur l'herbe)
Paul Cézanne — Trees and Road (Arbres et route)
Paul Cézanne — Trees and Houses Near the Jas de Bouffan
Claude-Emile Schuffenecker (French, 1851–1934) — Study for "
Camille Pissarro — Haystacks, Morning, Eragny