Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Giulio Carpioni was a painter and etcher who worked for most of his life in Venice and the Veneto. He may have spent some time in Rome, as his work shows the influence of Caravaggio, Pietro Testa, and Nicolas Poussin. His 20 or so etchings also demonstrate the strong impact of Simone Cantarini’s linearity. Transcending her desolate hermitage with upraised eyes, Carpioni’s penitent Magdalen exhibits a physical and acrid fervor that is unusual for a female saint.
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The Sacrifice of Polyxena
(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's
Figure Studies: Men Standing by a Large Vase, a Falling Nude
Air, represented by Iris reclining on her rainbow, accompani
Water, represented by a naiad seated at the base of a tree a
Fire, represented by Venus seated before Vulcan's forge, wit
Penitent Magdalen kneeling on a rocky ground before a skull
Bacchanalian Group with Children Drinking
Matteo Cadorin|Giulio Carpioni — The Penitent Saint Mary Mag
Pietro Testa — Mary Magdalene in the desert, a cross borne b
Claude Gillot|Jacques Gabriel Huquier — Christ appearing to
Pietro Testa — The Sacrifice of Isaac by his Father Abraham
Paolo Farinati (Italian, 1522–1606) — The Magdalen
Pietro Testa (Italian, 1612–1650) — The Sacrifice of Abraham
Anonymous, Spanish, School of Seville, 17th century|Pedro D
Jacques Callot — The Annunciation, from The Life of the Virg
Anonymous, Italian, Roman-Bolognese, 17th century — Mary Mag
Anonymous, Italian, 17th century|Anonymous, Spanish, 17th ce
Claude Gillot|Jacques Gabriel Huquier — Annunciation
Pietro Gualla — Angel Appearing to Hagar in the Wilderness