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Giulio Carpioni

Figure Studies: Men Standing by a Large Vase, a Falling Nude Figure, and Other Figures

1613–78
Red chalk
23.5 × 16 cm (9.3 × 6.3 in)

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In the collection of The Metropolitan Museum of Art, New York · as of July 2026

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More by Giulio Carpioni

The Sacrifice of PolyxenaThe Sacrifice of Polyxena(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's Head (V.) Figure Studies: A Flying and a Standing Man(R.)Figure Studies: Standing Nude Figure, Putti, and a Man'sAir, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements"Air, represented by Iris reclining on her rainbow, accompaniWater, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements"Water, represented by a naiad seated at the base of a tree aFire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"Fire, represented by Venus seated before Vulcan's forge, witPenitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from abovePenitent Magdalen kneeling on a rocky ground before a skull Bacchanalian Group with Children DrinkingBacchanalian Group with Children DrinkingFire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"Fire, represented by Venus seated before Vulcan's forge, wit

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Martyrdom of Bishop SaintErcole Procaccini, the younger — Martyrdom of Bishop SaintFlagellation of ChristLorenzo Garbieri — Flagellation of ChristThe Miracle of the Ticino RiverCamillo Procaccini — The Miracle of the Ticino RiverDescent of Christ into LimboAnonymous, Italian, 16th century — Descent of Christ into LiThe Flagellation of ChristBernardo Cavallino — The Flagellation of ChristScene of Celebration with Dancing and Music-Making (Jephtha and his Daughter?)Anonymous, Italian, Roman-Bolognese, 17th century — Scene ofSeated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)Guercino (Giovanni Francesco Barbieri) — Seated Old Man withFigures Carrying a Fainting (or Dead) WomanAnonymous, Italian, Roman-Bolognese, 17th century — Figures Rinaldo Persuaded by Ubaldo and Guelfo to Abandon ArmidaGiovanni Domenico Tiepolo — Rinaldo Persuaded by Ubaldo and Figures and a River GodAnonymous, Italian, Roman-Bolognese, 17th century — Figures Three Figures with Severed Head on GroundCircle of Marcantonio Bassetti — Three Figures with Severed Three Studies of Seated Nude Male with Raised Arm, Seen from Below.Anonymous, Italian, Bolognese, 17th century — Three Studies