Jean Louis André Théodore Géricault
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Although he was renowned as a painter, Théodore Géricault feared that he could never rival the work of his predecessors. Thus, he embraced the invention of lithography in the late 18th century as an opportunity to become the master of a new medium. Here Géricault used the lines of the building to frame the young girl’s despair at the plight of the older woman.
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Head of a Guillotined Man
Seven Sketches of Pairs of Boxers or Wrestlers
Sketches: Stable Boy Carrying a Bucket
General of the First Empire Giving his Cavalry Orders to Cha
Portrait of a Man
Sketch of a Horse Facing Right and a Caricature in Profile
Caricature of a Man Wearing a Broad-Brimmed Hat
Studies of a Grenadier and a Munitions Cart
Denis Auguste Marie Raffet — Sheet of Sketches
Honoré-Victorin Daumier — The Election Hoax. “My dear friend
Goya (Francisco de Goya y Lucientes) — Plate 64 from "The D
Auguste Bry — Schoolboys Fighting
Denis Auguste Marie Raffet — Sheet of Sketches
Denis Auguste Marie Raffet — Military Prison
Ignatii Stepanovich Shchedrovskii — Scenes from Russian Folk
Denis Auguste Marie Raffet — Sheet of Sketches
Denis Auguste Marie Raffet — The Least Strong is the Most Tr
William Hogarth — Plate one, from A Harlot's Progress
Francisco José de Goya y Lucientes — Cartloads to the cemete
Adalbert John Volck — Free Negroes in the North (from Confed