Jean Louis André Théodore Géricault
● On view now — Gallery 220
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Théodore Géricault painted this macabre image directly from life. The artist is known to have acquired corpses from his local morgue to study anatomy and the effects of decomposition. Surrounding himself with the stench of decay, he produced several paintings of decapitated heads and severed limbs. By depicting this graying and lifeless head upon on a blood-stained cloth laid over a wooden table, Géricault also referenced—perhaps ironically—the long history of still-life painting in Western art. The head probably belonged to a convicted criminal. At that time in France, executions were carried out by the guillotine, a bladed device that sliced through the necks of its victims.
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Seven Sketches of Pairs of Boxers or Wrestlers
Sketches: Stable Boy Carrying a Bucket
General of the First Empire Giving his Cavalry Orders to Cha
Portrait of a Man
Sketch of a Horse Facing Right and a Caricature in Profile
Caricature of a Man Wearing a Broad-Brimmed Hat
Studies of a Grenadier and a Munitions Cart
The Artillery Caisson
Charles Emile Champmartin — Théodore Géricault on His Deathb
Henry Fuseli — Two Heads of Damned Souls from Dante's "Infer
Giovanni Battista Piazzetta — Bust of a Man (Saint Matthias?
Bernard Vaillant|Jusepe de Ribera (called Lo Spagnoletto) —
Édouard Manet — Beggar with Oysters (Philosopher)
Edgar Degas — Male Nude
Head of Saint John the Baptist
Nicolas de Platte-Montagne (French, 1631–1706) — The Body of
Marco Alvise Pitteri — Saint Simon, from The Holy Family and
Francisco José de Goya y Lucientes — The Hanged Monk
Mariano Fortuny, 1838–1874 — A partly naked man on the groun