Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The prints in Goya’s Disasters of War , one of the artist’s bleakest series, protest the treatment of civilians during the long Spanish conflict with France, particularly demonstrating the toll on women. The unceremonious manhandling of a female casualty of war makes a troubling focal point for this particularly dark image. The anonymous woman’s dangling white limbs and displaced skirts suggest she may have suffered rape in addition to the other acts of violence that caused her death.
Be the first to share your thoughts.
Sign in to join the discussion.
The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 64 from "The D
Goya (Francisco de Goya y Lucientes) — Plate 54 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 56 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 51 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 13 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 54 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 47 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 56 from 'The Di
Goya (Francisco de Goya y Lucientes) — Plate 49 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Goya (Francisco de Goya y Lucientes) — Plate 52 from "The Di