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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jean Duvet depicted unicorns in several of his print series as representations of purity. Here the procession of the Triumph of the Unicorn symbolizes the victory of Christianity. God the father, presented as Jupiter, ushers the son, the unicorn, into paradise with the crown of heaven. Duvet densely engraved his prints; the varying degrees of ink tone in this impression imply that the printing plate was either unfinished or worked over a long period of time.
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Jean Duvet (French, 1485–1561) — The Apocalypse: The Angel
Jean Duvet (French, 1485–1561) — The Apocalypse: The Dragon
Jean Duvet (French, 1485–1561) — The Apocalypse: The Woman
Jean Duvet (French, 1485–1561) — The Apocalpse: St. John Su
Andrea Andreani (Italian, about 1558–1610) — The Triumph of
Jean Duvet (French, 1485–1561) — The Apocalypse: The Angel
Jean Duvet (French, 1485–1561) — The Apocalypse: Four Angel
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi — Sheet 8:
Jean Duvet (French, 1485–1561) — The Apocalpse: An Innumera
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Master MZ (German) — Four Soldiers and Military Band