In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
In the mid-1870s, Cézanne briefly turned his attention to the depiction of laborers. These small canvases bear a lightness and freedom of expression that reflect Cézanne's practice of painting out of doors and his desire to escape the frenetic pace of life in Paris. Here, his choice of subject may have been informed by artists he admired such as Thomas Couture, who declared in 1867 that "Our workmen have not been represented; they remain yet to be put on canvas." Indeed, mid-19th-century artists often chose to depict the common laborer and rural poverty, in defiance of the French upper class, who considered such themes to be politically subversive.
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Vincent van Gogh — Korensnijder met hoed, van achteren gezie
Honoré Daumier — Water Carrier (Le Porteur d'eau)
Jean-François Millet — Man with a Spade
Richard Nicolaüs Roland Holst — Building Site in Amsterdam
James McNeill Whistler (American, 1834–1903) — The Blacksmit
Richard Nicolaüs Roland Holst — A Peasant Woman with a Stick
Vincent van Gogh — Burning Weeds