Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The 82 etchings made privately by Goya in response to Napoleon’s onslaught on Spanish soil focused on the war’s effects on all the people of Spain, not just the soldiers. In this eerie image, a priest who appears to be wearing a bird mask performs a ritual before a weary crowd. Through the clergyman’s costume and dramatic pose, as well as the work’s title, Goya likened religion to mountebanks and stage productions.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 75 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 44 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 42 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 20 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 45 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Giovanni Battista Tiepolo — Two Magicians with Two Boys, fro