Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of Goya’s best-known publications, Los Caprichos (Caprices) is an album of 80 whimsical prints featuring biting critiques of society’s foolishness. The absurd scenario seen here suggests women’s flightiness. With a butterfly in her hair, this airheaded woman is too lightweight for any serious relationship or responsibility. Her face resembles the Duchess of Alba, María Cayetana de Silva, who was the subject of several of Goya’s paintings. While the extent of their personal relationship remains uncertain, this image suggests unrequited love.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 61 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — They Have Flown, Pl
Francisco de Goya (Spanish, 1746–1828) — They Have Flown, Pl
Goya (Francisco de Goya y Lucientes) — Plate 72 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 16 from 'Los C
Goya (Francisco de Goya y Lucientes) — Plate 8 from "Los Cap
Francisco de Goya (Spanish, 1746–1828) — You Will Not Escape
Goya (Francisco de Goya y Lucientes) — Plate 26 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — They've Already Got
Goya (Francisco de Goya y Lucientes) — Plate 36 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — Nothing Could Be Do
Goya (Francisco de Goya y Lucientes) — Plate 75 from "The Di