● On view now — Gallery 218
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The four large canvases by Hubert Robert in the Art Institute's collection were commissioned by wealthy financier Jean-Joseph, Marquis de Laborde, to decorate a salon in his château at Méréville, France. Installed on all sides of the room, they would have suggested that the walls had dissolved, revealing fantasies of Classical architecture animated by scenes of everyday life. Robert was much sought after as a painter of architectural ruins, a genre that appealed to the late 18th-century taste for the antique. He cultivated his knowledge of antiquity over more than a decade of travel and study in Italy.
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John Martin (British, 1789–1854) — Ruins of an Ancient City
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Giovanni Paolo Panini (Italian, 1691–1765) — Interior of the
Giovanni Paolo Panini — Ancient Rome
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Giovanni Battista Piranesi — View of the So-Called Temple of
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Jean Nicolas Servandoni — Architectural Capriccio with a Mon
Giovanni Battista Piranesi — Plate 7: Temple of Jupiter Tona
Abraham Louis Rodolphe Ducros — The Colosseum, Rome
Giovanni Battista Piranesi (Italian, 1720–1778) — Avanco del
Franz Ludwig Catel — Inside the Colosseum