● On view now — Gallery 218
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Landing Place is one of four works commissioned to decorate a salon in the château of Jean-Joseph, Marquis de Laborde, a successful financier. This view is dominated by an immense colonnade, in front of which several people are shown departing in a pleasure boat while others linger at the water’s edge. As he constructed this fantasy, Hubert Robert included direct references to renowned antique monuments, combining them with elements of his own invention. The perspective and scale of Robert’s four painted architectural fantasies were coordinated with the proportions of the room to give the illusion of a vast, open space.
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Jan Asselijn — Ezeldrijvers bij een Italiaanse ruïne
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Francesco Stagni — Design for a Painted Wall Decoration
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Jan Both — Street Scene with Roman Ruins
Abraham Louis Rodolphe Ducros — The Colosseum, Rome
Giovanni Battista Piranesi — View of the Arch of Septimius S
Jacob van der Ulft — Italian harbor view
Style of Hubert Robert — Colonnade and Gardens of the Medici
Giovanni Battista Piranesi — View of the So-Called Temple of
Giovanni Battista Piranesi — View of the Arch of Titus, from
Canaletto (Giovanni Antonio Canal) — Capriccio with a Roman