Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Like his fellow Hudson River School landscapists, Jasper Cropsey sketched in nature and then combined motifs he had observed into his compositions in his New York studio. In the late 1840s and early 1850s he traveled frequently to the Catskills, where he produced this oil sketch. Here, the gnarled trunk and branches of the weather-beaten tree offered the artist interesting variations of color, tone, and line. Cropsey often included such old trees in his paintings in emulation of Thomas Cole , whom he greatly admired. In Cropsey’s work, as in that of Cole, the subject introduces a sense of time and history into the scene, as well as conveying the sublime power of nature.
Be the first to share your thoughts.
Sign in to join the discussion.
Frederic Edwin Church (American, 1826–1900) — Storm in the M
Jasper F. Cropsey (American, 1823–1900) — The Clove - A Stor
Johannes Tavenraat — Het onweer
Sanford Robinson Gifford — Kauterskill Clove, Catskill Mount
Gustave Doré — A Rider and a Dead Horse in a Landscape
Odilon Redon — Landscape
Thomas Cole — New England Scenery
Odilon Redon — Tree
Joseph Mallord William Turner — Valley of Aosta: Snowstorm,
Asher Brown Durand — Study of Rocks in Pearson's Ravine
Gustave Doré — Alpine Scene
Sanford Robinson Gifford — Mist Rising at Sunset in the Cats