Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A pair of prints from opposite sides of the Alps demonstrates the didactic capabilities of devotional printmaking. Both depict a sacred mountain that the soul must climb toward heaven. In Baccio Baldini’s extremely early engraved book illustration of an Italianate ladder of virtues, a monk successfully ascends, while a fashionable young man is dragged away by a demon representing worldly pleasures. Its thistle-laden German counterpart consists of banderole rungs filled with xylographic text and a crowned Christ waiting in glory. A nun kneeling at the bottom may have commissioned the print. She envisions a torturous journey up the steep incline, her twelve-step program advocating different Christian virtues: faith, generosity, modesty, constancy, justice, strength, will, patience, obedience, humility and at long last, divinity.
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Baccio Baldini — The Holy Mountain, folio 3 from The Holy Mo
The Bible of the Poor (Biblia Pauperum),
Pharaoh's Army Dro
Thielmann Kerver — The Tree of Jesse, from a book of hours
Anonymous, German, 19th century — Saint Christopher
Lucas Cranach the Elder — A Golden Reliquary with the Tree o
Anonymous, Netherlandish, 15th century — The Bridegroom Show
Master W A H — The Garden of Love
Lucas Cranach the Elder — The Celestial Ladder of St. Bonave
Hans Baldung (German, 1484/85–1545) — St. Jerome in the Wild
Anonymous, Netherlandish, 15th century — The Annunciation, f
Hieronymus Andreae|Albrecht Altdorfer|Wolf Traut|Hans Spring
Lucas Cranach the Elder — The Temptation of Saint Anthony