Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This leaf comes from a prayer book published in Paris in the early 1500s. Thielmann Kerver often incorporated elements from the illuminated manuscript tradition. Here, for example, he combined expensive vellum, lavish illustrations, and hand-colored initials with the newer technology of printing. While the words were printed with moveable type, the central images and composite borders were printed from separate carved blocks, or matrices, that could be arranged in different groupings and reused for future editions.
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Lucas Cranach the Elder — Reliquary with a Pieta, from the L
Michael Wolgemut (German, 1434–1519) — The Emblem
Michel Wolgemut — Moses Found by Pharaoh's Daughter (recto)
Philippe Pigouchet — Visitation, from Book of Hours
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Urs Graf the Elder (Swiss, c. 1485–1527/29) — The Passion:
Johann Theodor de Bry — Plate from Emblemata Nobilitati et V
Baccio Baldini — The Holy Mountain, folio 3 from The Holy Mo
Unknown artist — Book of Revelation (Seven Trumpets) from Th
Hans Leonhard Schäuffelein — Shem Covering the Nakedness of
Anonymous, Netherlandish, 15th century — The Annunciation, f
Unknown artist — The Raising of Lazarus from Leven Christi b