Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A pair of prints from opposite sides of the Alps demonstrates the didactic capabilities of devotional printmaking. Both depict a sacred mountain that the soul must climb toward heaven. In Baccio Baldini’s extremely early engraved book illustration of an Italianate ladder of virtues, a monk successfully ascends, while a fashionable young man is dragged away by a demon representing worldly pleasures. Its thistle-laden German counterpart (1947.473) consists of banderole rungs filled with xylographic text and a crowned Christ waiting in glory. A nun kneeling at the bottom may have commissioned the print. She envisions a torturous journey up the steep incline, her twelve-step program advocating different Christian virtues: faith, generosity, modesty, constancy, justice, strength, will, patience, obedience, humility and at long last, divinity.
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Unknown artist — Illustration from Margarita philosophica, p
Anonymous, Italian, Florentine, 15th century — The Martyrdom
Thielmann Kerver — The Tree of Jesse, from a book of hours
Michel Wolgemut — Moses Found by Pharaoh's Daughter (recto)
Hans Baldung Grien — Thou Shalt Have No Other Gods before Me
Albrecht Dürer — The Opening of the Fifth and Sixth Seals, f
Jean Duvet (French, 1485–1561) — The Apocalypse: The Angel
Girolamo Grandi — Jupiter in a Chariot Drawn by Two Peacocks
Jean Duvet (French, 1485–1561) — The Apocalypse: Babylon th
Albrecht Dürer — The Virgin on the Crescent, from The Life o
Albrecht Dürer — Saint John Before God and the Elders, from
Michael Wolgemut (German, 1434–1519) — The Emblem