Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
While living in Italy, Robert developed a fondness for classical architecture, making countless drawings that served as the basis for paintings and prints for decades after he returned to Paris. Denis Diderot (1713–1784), a French philosopher and art critic, nicknamed the artist “Robert of Ruins” due to Robert’s enduring interest in the subject. A quaint commentary on the passage of time, this drawing portrays the activities of contemporary life among the weathered remains of an ancient Roman building. Despite the traditional title of the drawing, there is no evidence that such ruins ever existed at the Villa Pamphili. The towering columns supporting a decorative frieze may instead derive from the Roman Forum’s Temple of Saturn.
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Charles Joseph Natoire — Gardens of the Villa d'Este at Tivo
Giovanni Battista Piranesi — View of the So-Called Temple of
Hubert Robert|Hubert Robert — Architectural Capriccio with R
Hubert Robert — Capriccio with an Ancient Temple
Giovanni Paolo Panini — Figures in Classical Ruins
Adam Elsheimer — A Temple in a Courtyard (Pool of Bethesda)
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Canaletto — The Portico with the Lantern, from Vedute
Stefano della Bella — The columns of the Temple of Antoninus
Louis Jean Desprez — Visitors Inspecting Classical Ruins
Stefano della Bella — The columns of the Temple of Antoninus