Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This drawing represents the elaborate stage set for the opera-ballet Les Muses that premiered in 1703 at the Opéra, the most prestigious public theater in Paris. In a city that thrived on spectacle, the opera-ballet was one of the most fashionable forms of entertainment in the 18th century. Berain’s drawing relates to the third scene in the first of four acts, "La Pastorale," in which shepherds and shepherdesses pay homage to deities in a wooded grove. The celebration, accompanied by flutes and a musette (small bagpipe) comprised a lighthearted musical interlude or divertissement, an indispensable component of the opera-ballet.
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Mathäus Küsel|Ludovico Ottaviano Burnacini — Arsenal of Mars
Antoine Pierre Mongin — The Progress of Love
Stefano della Bella — A fan with a musical troupe and specta
Ennemond Alexandre Petitot — Veduta del Boschetto d'Arcadia
Jacob Wilhelm Mechau — Ajax in the Grave
Ludovico Ottaviano Burnacini|Mathäus Küsel — A man and two w
Jean-Michel the Younger Moreau (French, 1741–1814) — Masked
Anonymous, German, 17th century — Triumphal Entry of King
Mathäus Küsel|Ludovico Ottaviano Burnacini — Pleasure garden
Jean-Michel the Younger Moreau (French, 1741–1814) — The Mas
Louis Pierre Boitard — Taste a la Mode in the Year 1753
Anonymous, British, 18th century — Picturesque Landscape