● On view now — Collection Gallery, Room 13, East Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
A young man leans on his elbow in a pose recalling Renaissance representations of Melancholia, one of the four humors. He gazes past the skull resting on the table across from him, perhaps pondering his own mortality. Although skulls appear in some of Cézanne's early canvases—they were a common studio prop with a long history in still-life painting—the 1897 death of his mother and his own declining health might have prompted a late return to this symbolically loaded object.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Chaim Soutine — Woman Seated in Armchair (Femme accoudée au
Paul Cezanne — Man Wearing a Straw Hat
Henri Matisse — The Music Lesson
Emile Bernard — Self-Portrait
Jules Pascin — Girl in Green Reading
Paul Cezanne — Madame Cezanne in a Yellow Chair
Chaim Soutine — Man in Blue (L'Homme en bleu)
Amedeo Modigliani — Léopold Zborowski
Jules Pascin — Nude Seated on Hassock (Nu assis sur un pouf)
Pablo Picasso — Woman Seated on Striped Floor
Paul Gauguin — Woman in Front of a Still Life by Cezanne
Chaïm Soutine (Russian, 1893–1943) — Old Woman