In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
A formidable woman sits in a red armchair, resting her head in her hand. Her multicolored face is a mask of contemplation; fingers and arms bend and twist like the limbs of trees. In placing Soutine's portrait in this grouping, Albert Barnes surely wanted to highlight its relationship with Old Masters like Jacopo Tintoretto. Barnes also saw the influence of Honoré Daumier, hanging the great caricaturist's large painting, The Ribalds, on the adjacent wall. He wrote: "From Daumier…is derived [Soutine's] method of so simplifying and distorting objects that they sometimes appear monstrous or grotesque, but are nevertheless convincing in their essential reality."
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Landscape with House and Tree (Paysage avec maison et arbre)
Winding Road, Near Gréolières (La Route montante, vers Gréol
Bouquet of Flowers (Bouquet de fleurs)
Red Church (L'Église rouge)
Landscape with White Building (Paysage avec maison blanche)
Landscape with Houses (Paysage avec maisons)
Landscape of the South of France (Paysage du Midi)
Landscape with Figure (Paysage avec figure)
Paul Cézanne — The Drinker (Le Buveur)
Jules Pascin — Girl in Green Reading
Paul Cézanne — Young Italian Woman at a Table
Vincent van Gogh — Peasant Woman Sitting on a Chair
Jules Pascin — Nude and Books (Nu et livres)
Henri Matisse — Seated Nude in a Tan Room
Paul Cézanne — Madame Cézanne in Blue
Paul Cézanne — Louis-Auguste Cézanne, père de l'artiste (The
Vincent van Gogh — Man at Table
Paul Cezanne — The Gardener Vallier
Paul Cézanne — Seated Woman in Blue
André Derain — Nude