Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Charles IV, Duke of Lorraine, appears at the upper right at the end of his grand entry parade, wreathed in the glow of the sun, for he portrays the god Apollo. His sumptuous procession begins at the lower right, with a stage of performing musicians drawn by women with cymbals; the forge of the god Vulcan follows, then a formal garden with fountains, pulled by men transforming into trees. Long-maned horses draw the Duke’s resplendent, likely gilded chariot. The face of the sun appears often on the vehicle, even its spinning wheels.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot|Henri Humbert — Entrée du duc Charles IV (Ent
Jacques Callot|Henri Humbert — Entrée du duc Charles IV (Ent
Stefano della Bella — Plate Four, from Entrance of the Ambas
Jacques Callot|Henri Humbert — Entrée du Prince de Pfalzbour
Melchior Tavernier|Pierre Firens I|Abraham Bosse|Jean-Baptis
Anonymous, Italian, 17th century|Nicolò Nelli — Design of th
Jacques Callot|Istituto Centrale per la Grafica — Reprint of
Anonymous, Dutch, 17th century|Jacob van Meurs — The Court o
Anonymous, German, 17th century — Triumphal Entry of King
Stefano della Bella — Plate Three, from Entrance of the Amba
Jacques Callot|Anonymous — Copy of Les Bohémiens en Marche:
Jean Baptiste Marie Pierre — The Chinese Mascarade