Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although now most famous as a painter, Homer was also a graphic artist throughout his career and from 1857 provided illustrations for the New York-based Harper's Weekly . When the Civil War began in 1861, the magazine sent Homer to Virginia, where he made numerous drawings of the military. He seldom depicted actual fighting, instead candidly describing everyday camp life. The drawings were reproduced as wood engravings (professionals cut the blocks), the technique used to reproduce illustrations in magazines and books before the development of photomechanical processes.
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Winslow Homer|Harper's Weekly|Harper & Brothers — The Army o
Alfred Rudolf Waud — The First Maine Cavalry Skirmishing
Winslow Homer|John Parker Davis|James R. Osgood & Co. — Lumb
Harper & Brothers|Winslow Homer|W. H. Lagarde|Harper's Weekl
Sir Hubert von Herkomer|Chardon|The Printsellers' Associatio
Julius Bien & Co.|William S. Kimball & Company — Shooting, f
Winslow Homer|James R. Osgood & Co. — Deer-Stalking in the A
Winslow Homer|W. H. Lagarde|Harper's Weekly|Harper & Brother
Charles Jacque|François Rouget — Winter Scene: Removing Stum
Winslow Homer|Louis Prang & Co. — Life in Camp, Part 1: A Sh
Auguste Louis Lepère (French, 1849–1918) — Une Chasse au Mon
Harper & Brothers|Winslow Homer|Harper's Weekly — Charge of