● On view now — 112 Northern Renaissance
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The nativity was one of the most frequently depicted subjects in western art. The event marks the entrance of Christ into the world and the fulfillment of Old Testament prophecy. In the distance an angel announces the birth of Christ to the shepherds tending their flocks. One shepherd is already at the stable adoring the Christ child. In the background, the cityscape represents Jerusalem, where Christ would be crucified, represented here as a northern medieval city. Only Matthew and Luke describe Christ’s nativity in the Gospels, which led medieval writers and artists to amplify the event. Some scholars have suggested that the head of Joseph is a donor portrait. Gerard David was born in Oudewater, now located in Utrecht. He spent his mature career in Bruges, where he was a member of the painters’ guild. Upon the death of Hans Memling in 1494, David became Bruges’s leading painter of devotional panels. He was also a manuscript illuminator.
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Gerard David — The Nativity
South Netherlandish Painter — The Nativity
Geertgen tot Sint Jans — De aanbidding van de koningen
Gerard David — The Nativity with Donors and Saints Jerome an
Juan de Flandes (Netherlandish, c. 1460–1519) — The Birth an
Bartel Bruyn, the elder — Virgin and Child with Saint Anne,
German — Holy Family
Jacob Cornelisz. van Oostsanen — The Adoration of the Christ
Marcellus Coffermans — The Adoration of the Shepherds
Konrad Laib (German) — Adoration of the Magi
Jan Jansz Mostaert — De aanbidding van de koningen
Geertgen tot Sint Jans (Netherlandish, c. 1460-c. 1490) — Th