Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This set of four etchings may refer to ancient bas-reliefs Fragonard saw while visiting Rome with an important antiquarian, the Abbé de Saint Non (see 1926.453, .455, and .456). The size of the paired oval and rectangular reliefs—one or more of which might derive from ancient engraved cameos instead of large-scale sculptures—remains ambiguous, although hidden objects in the surrounding foliage suggest a large scale. Regardless of their source, the popularity of Fragonard’s printed reliefs reflected the taste for Neoclassicism in France at this time.
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Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: The
Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: The
Gabriel Huquier (French, 1695–1772) — Book of Fountains: No
Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nym
Charles-Joseph Natoire — Cherubs with a Goat
Giovanni Benedetto Castiglione (Italian, 1609–1664) — Fete o
Gabriel Huquier (French, 1695–1772) — No. 6: Fountain with T
Jean-Honoré Fragonard (French, 1732–1806) — Bacchanal
Giovanni Benedetto Castiglione (Il Grechetto) — Bacchanal be
Gabriel Huquier (French, 1695–1772) — Book of Fountains: No
Anonymous, 18th century|Pietro Testa — The Virgin at the rig
Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales