Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Jean-Honoré Fragonard made these four etchings shortly after returning to Paris from Italy, where he studied antique subjects and sculpture. He may have also looked at other sources for inspiration, such as Jacques François Joseph Saly’s suite of vase designs. Though the prints feature the followers of Bacchus, the wine god does not make an appearance. Instead, Fragonard highlighted the playfully erotic frolics, conflicts, and even family life of a group of bacchants, conceiving them as low-relief sculptures on stone fragments within abundant foliage. Fragonard’s creations helped to popularize revelries in nature in French art, architecture, and garden design during the later 1700s.
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Jean Honoré Fragonard — Nymph Supported by Two Satyrs
Jean Honoré Fragonard — Nymph Supported by Two Satyrs
Jean Honoré Fragonard — Nymph Supported by Two Satyrs
Jean Honoré Fragonard — A Young Girl Astride a Satyr
Gabriel Huquier (French, 1695–1772) — Book of Fountains: No
Salomon Gessner — Satyr family, on the move
Jean Honoré Fragonard — Nymph Astride a Satyr
Edme Bouchardon|François Joullain|Etienne Fessard|Anne Claud
François Boucher|Anonymous, French, 18th century — Cupids Ti
Giulio Carpioni — Water, represented by a naiad seated at th
Rembrandt van Rijn (Dutch, 1606–1669) — Adam and Eve
Gabriel Huquier (French, 1695–1772) — No. 6: Fountain with T