Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Jean-Honoré Fragonard made these four etchings shortly after returning to Paris from Italy, where he studied antique subjects and sculpture. He may have also looked at other sources for inspiration, such as Jacques François Joseph Saly’s suite of vase designs. Though the prints feature the followers of Bacchus, the wine god does not make an appearance. Instead, Fragonard highlighted the playfully erotic frolics, conflicts, and even family life of a group of bacchants, conceiving them as low-relief sculptures on stone fragments within abundant foliage. Fragonard’s creations helped to popularize revelries in nature in French art, architecture, and garden design during the later 1700s.
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Jean Honoré Fragonard — Satyrs Dancing, from Bacchanales, or
Jean Honoré Fragonard — Satyr's Family from Bacchanales, or
Jean Honoré Fragonard — The Satyr's Family
Jean Honoré Fragonard — Bacchanale - Satyr and Nymph with In
Jean Honoré Fragonard — The Satyrs' Dance
Jean Honoré Fragonard — Danse de satyres
Jean Honoré Fragonard — Nymph Supported by Two Satyrs
Jean Honoré Fragonard — Satyrs Dancing from Bacchanales, or
Jean Honoré Fragonard — Nymph Supported by Two Satyrs
Jean Honoré Fragonard — Nymph Sitting on the Hands of Two Sa
Jean Honoré Fragonard — Nymph Supported by Two Satyrs
Jean Honoré Fragonard — Satyrs Family, from Bacchanales, or