Master of the Historia Friderici et Maximiliani
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Once thought to be by the young Albrecht Altdorfer, this painting is instead the work of a painter named after a winged altarpiece in the town of Pulkau, near the Austrian and Moravian border. Though the artist takes his name from the Pulkau altarpiece, he was probably active in Vienna. Like other loosely associated South German and Austrian artists of the early 16th century, who are now grouped together as the Danube School, the Master of Pulkau used exuberant natural forms to give a heightened emotional quality to his work. In this altarpiece wing, the swirling vegetation, excited angels, and oversized Virgin and animals direct the viewer’s attention to the vulnerable Christ Child, who is the focus of adoration.
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Hans Leonhard Schäufelein (German) — Adoration of the Shephe
Jaume Ferrer the Younger (Spanish, Catalonia died c. 1460/70
Vincenzo Frediani — The Adoration of the Christ Child
Gerard David (Netherlandish, 1450/60–1523) — The Nativity
Konrad Laib (German) — Adoration of the Magi
Geertgen tot Sint Jans (Netherlandish, c. 1460-c. 1490) — Th
South Netherlandish Painter — The Nativity
Adoration of the Shepherds
Giovanni di Paolo (Giovanni di Paolo di Grazia) — The Adorat
Battista Dossi (Italian, c. 1490–1548) — Holy Family with a
Pieter Aertsen — De aanbidding van de koningen
Fra Bartolommeo — The Nativity