Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This man’s suntanned skin, worn clothing, and rustic surroundings are rendered in shades of brown that mirror the contents of his pipe. The Spanish introduced tobacco into Northern Europe in the 16th century, and smoking quickly became a beloved pastime that was widely considered healthful and nourishing. By the early 17th century, single-figure images of smokers emerged as a subgenre of Dutch and Flemish painting. The theme posed an enticing challenge for artists, with its burning leaves, billowing plumes of smoke, and active facial expressions—here, the figure purses his lips and wrinkles his brow as he concentrates on lighting the pipe. German painter Johann Carl Loth blended the Northern emphasis on capturing textures with the dramatic illumination reminiscent of so-called Caravaggesque painters like Hendrick Terbrugghen .
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Hendrick van Someren — The Smoker Allegory of Transience
Théodule Ribot (French, 1823–1891) — Lazarillo de Tormes and
Rembrandt van Rijn (Dutch, 1606–1669) — An Elderly Man in Pr
Elderly Man Seated in a Tavern
Spanish — Job
Ary de Vois — A Man with a Gin Bottle
Hendrick ter Brugghen (Dutch, 1588–1629) — Saint Jerome
David Teniers (Flemish, 1610–1690) — Peasants Smoking in an
Study of a Shepherd
Adriaen van Ostade — The Merry Peasant
Karel van der Pluym — An Old Man in a Fur Cap
Jan Adriaensz. van Staveren — A Hermit Praying in a Ruin