Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In Los caprichos (meaning caprices or whims), a series of etchings by Francisco de Goya, the artist presented his veiled criticisms of late-18th-century Spanish society. Here he depicted ne’er-do-wells—in the form of plucked chicken-men—being cheated by prostitutes. Emphasizing the intended moral of the work’s title, Goya commented of the chickenmen: “If they have already been plucked, get them out: there will be others coming along.” He went so far as to express his anticlerical attitude—dangerous for a man living during the Spanish Inquisition—by including two friars, who stand behind the prostitutes, tolerating, if not condoning, the scene before them.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Francisco de Goya (Spanish, 1746–1828) — There They Go Pluck
Goya (Francisco de Goya y Lucientes) — Plate 20 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 45 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 78 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 58 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 57 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 78 from 'Los C
Goya (Francisco de Goya y Lucientes) — Plate 48 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — The Filiation, Plat
Goya (Francisco de Goya y Lucientes) — 'Poor Folly' from the
Goya (Francisco de Goya y Lucientes) — Plate 72 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 35 from "Los Ca