Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This tile belongs to group of ceramics sometimes referred to as Damascus or Syrian ware that are closely related to Iznik ceramics. These wares were produced in Damascus in the mid-16th century when the Ottoman sultan, Suleyman the Magnificent, sent Iznik potters to repair and restore tilework at the Dome of the Rock in Jerusalem. After refurbishing the tilework, these artisans settled in Damascus, where they continued to produce tiles and vessels. While similar in style to the tiles produced in Iznik, tiles made in Syria in the Ottoman period employ a different color palette to depict vegetal and geometric forms. Syrian ceramics did not use the crisp white ground and only rarely used the vibrant tomato red typical of Iznik ceramics. Instead, Syrian tilework tended toward a more muted color palette of natural greens and blues.
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Iran
Probably Tehran — Tile depicting Khusrau Happening upon
Syria — Tile with Grape Cluster
Spanish; Valencia (probably Manises) — Floor Tile with Bone
Japan — Design on Paper
Japan — Design on Paper
Uzbekistan, possibly Shakhrisabz or Shafirkhan — Suzani (lar
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet — Islami
Germany — Stove Tile
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet — Design
Spanish; Valencia (probably Manises) — Floor Tile with Roset
Peter Carl Fabergé — Cigarette Case
Jörg Rurfinger — Layout for a Garden with Flower-shaped Flo