Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot's father served the Duke of Lorraine in France; thus, when Callot was appointed court artist to the Medici family in Florence, Italy, in 1614, he was already accustomed to the stately ceremonies of nobility. At court he documented lavish events through his prints such as The Marriage . Here a distinguished group of spectators witnesses the marriage of Ferdinand de' Medici and Duchess Christine. In contrast to Callot's usual medium of etching, The Marriage was executed as an engraving. The time-consuming process required the artist to incise single crisp lines into the metal plate, rather than, as with an etching, drawing the entire composition onto a waxy plate coating and using acid to eat away at the lines.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot|Matteo Rosselli|Jacopo da Empoli (Jacopo Chim
Pieter Nolpe|Joan and Cornelius Blaeu|Caspar Barlaeus|Claes
Jacques Callot|Matteo Rosselli — La Grande Duchesse Marie de
Abraham Bosse — Ceremony of the Contract of Marriage between
Jacques Callot|Matteo Rosselli — La Grande Duchesse Marie de