The Adoration of the Christ Child

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

In this joyous imagining of Jesus’s birth, choirs of angels—each with a different musical attribute—fill the stable with celebratory music. The artist elaborated the setting with luxurious red porphyry and green marble architectural features adorned with floral designs called grotteschi . These organic yet fantastical decorative motifs were inspired by the recent excavation of the Domus Aureus, Emperor Nero’s grand, first-century palace in Rome. Here, these details are likely meant to evoke the tradition that Christ’s birth took place in a stable constructed in the ruins of the biblical king David’s palace.

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