Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
During his brief career, Edward Sheffield Bartholomew was recognized by both critics and patrons for his sensitive marble renderings of biblical and mythological scenes. Taken from the book of Genesis, the story of the Egyptian handmaiden Hagar and her son, Ishmael, is one of deception and family betrayal. After giving birth to Ishmael, the illegitimate son of Abram (later Abraham), Hagar and her son are banished from the house of Abraham. Expelled to the desert, they are rescued from certain death by God, who provides a well to quench their thirst. Bartholomew’s relief shows the moment when Hagar pleads to the heavens to rescue her son. In the 19th century the story of Hagar was understood as an allegory of slavery that illustrated the indignities suffered by black women as well as the disenfranchisement of all African Americans.
Be the first to share your thoughts.
Sign in to join the discussion.
Giovanni Maria Benzoni — Flight from Pompeii
Richard Earlom — Weeping Allegorical Female Figure with Putt
Aimé-Jules Dalou — Bacchus Consoling Ariadne
Auguste Rodin — Eve after the Fall
British School — The Birth of Bacchus
Josef Klieber — Flora and Zephyr
Manifattura Ginori (Sesto Fiorentino, Italy) — The Abduction
John Deare — Venus and Cupid
John Downman — Statue of Crouching Venus
Randolph Rogers — Nydia, The Blind Flower Girl of Pompeii
Joseph Mozier — Pocahontas
Jean-Louis Lemoyne — The Fear of Love