Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This is not a historically accurate vision of Pocahontas but a deeply distorted yet enduring one rooted in myth. Born around 1595 with the name Matoaka, Pocahontas (her Algonquian nickname) was a Powhatan Indian who lived in the Tidewater region of present-day Virginia. A daughter of the leader of a Native confederacy of Algonquian-speaking people, she was kidnapped by British settlers as a young adolescent and taken to Jamestown, where she converted to Christianity, married John Rolfe, and then traveled to England, dying there in 1617. Joseph Mozier portrayed Pocahontas with a tamed deer at her side and cross in hand, as if her religious and cultural transformation was a peaceful, self-directed act. Such imagery appealed to white audiences in the mid-19th century because it shaped an American origin story of romance, willing conversion, and domesticity, and effaced the violent circumstances of Pocahontas’s life and the brutal conquest of Native American people and lands.
Be the first to share your thoughts.
Sign in to join the discussion.
Randolph Rogers — Nydia, The Blind Flower Girl of Pompeii
Jean-Louis Lemoyne — The Fear of Love
Auguste Rodin — Eve after the Fall
Giovanni da Bologna — Woman Bathing
Randolph Rogers — The Lost Pleiade
Daniel Chester French — Truth
Giovanni Maria Benzoni — Flight from Pompeii
Chauncey Bradley Ives — Jephtha's Daughter
Olin Levi Warner — Twilight
Bartolomeo Ammanati — Allegorical Figure
Manufacture nationale de Sèvres — The Girl Offers Her Coin i
Giovanni Gia — Draped Figure