Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This print belongs to a series Goya began in his late 70s but never finished before his move to France in 1824. Titled Los disparates , which roughly translates to “absurdities,” the series includes darkly enigmatic images at once sympathetic and satirical, each one suggesting human folly. Here a group of figures of various ages huddles like a flock of birds on a giant, leafless branch. The original Spanish title of the print, Andarse por las ramas , literally means to walk between branches, but is used figuratively to mean something like the English expression “to beat around the bush.”
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Ridiculous Folly, fro
Goya (Francisco de Goya y Lucientes) — Plate 5 from "The Dis
Goya (Francisco de Goya y Lucientes) — Plate 14 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 14 from "The Di
Goya (Francisco de Goya y Lucientes) — 'Carnival Folly' from
Goya (Francisco de Goya y Lucientes) — Plate 43 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 61 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 54 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Ridi
Goya (Francisco de Goya y Lucientes) — 'Carnival Folly' from
Goya (Francisco de Goya y Lucientes) — Plate 14 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 54 from "The Di