Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This painting represents Martin Johnson Heade’s mature style from the 1870s and contains many of the compositional elements that have led modern scholars to celebrate the artist as a proponent of Luminism. A 20th-century term, Luminism has consistently been linked to the 19th-century philosophical doctrine of transcendentalism. Stylistically, it is characterized by a horizontal format; tight, invisible brushwork; and pervasive light emanating from an unseen source. Together these qualities embody the intellectual spirit of the American writer and philosopher Ralph Waldo Emerson (1803–1882), who found transcendental unity in the contemplation of nature’s stillness.
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Thomas Doughty — Coming Squall (Nahant Beach with a Summer S
William Bradford — The Coast of Labrador
William Trost Richards — The August Moon
Andreas Schelfhout — Windmill beside a frozen river
Théodore Rousseau — A River Landscape
George Inness — The Old Mill
Edward Duncan — A Town on an Estuary at Low Tide
Alfred Thompson Bricher — Reflected Reeds
Thomas Moran — Beverly N.J.
Charles François Daubigny — The Marsh
Alexei Kondratievich Savrasov — Night Scene on the Volga
Théodore Rousseau — The Pond (La Mare)