Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As the first American artist to identify himself as a landscape painter, Thomas Doughty was instrumental in pushing the genre beyond mere topographical description to explore the larger idea of nature itself. Produced at the height of his career, this view of the sea at Nahant, Massachusetts, recalls 17th-century Dutch landscapes in the way that it captures changing atmospheric conditions and their effect on the surroundings without any hint of a narrative. Such paintings made Doughty one of the most popular landscapists in the United States in the 1820s and 1830s. In elevating nature as a worthy subject in its own right, Doughty, like fellow artist Thomas Cole , was particularly influential for the generation of landscape painters who came after him, namely the Hudson River School.
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Anthony Vandyke Copley Fielding (British, 1787–1855) — Marin
William Trost Richards — The August Moon
William Bradford (American, 1823–1892) — Labrador Coast
Louis Meijer — Storm in the Strait of Dover
Jules Dupré — Barks Fleeing Before the Storm
Johan Christian Dahl — Mother and Child by the Sea
Fitz Henry Lane (American, 1804–1865) — Harbor of Boston, wi
Emil Carlsen — Nantasket Beach
Martin Johnson Heade (American, 1819–1904) — Point Judith, R
William Trost Richards (American, 1833–1905) — Cormorant Cli
George Inness — A Marine
John Sell Cotman — Boats off the Coast, Storm Approaching