Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
George Inness began painting landscapes during a period in which the public preferred depictions of the untamed American wilderness; throughout his career, however, he insisted upon the importance of the cultivated landscape as a subject for art. In this work, the brightly lit figures and mill contrast with the shadowy darkness of the trees, suggesting the potential for danger at the edge of the forest. The rundown mill represents a stable, settled area but also points to the changes brought about by industrialization. Inness thus created a contradictory view of rural life that celebrates its simplicity and safety while hinting at its decline.
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Narcisse Virgile Diaz de la Peña — Pond in the Woods
John Rathbone — Landscape with Fisherman and Washerwoman
Constant Troyon — The Marsh
Théodore Rousseau — Springtime
Achille-Etna Michallon — Waterfall at Mont-Dore
George Inness (American, 1825–1894) — The Wood Chopper
Célestin François Nanteuil (French, 1813–1873) — In the Fore
Wouter Johannes van Troostwijk — A Barn on the Bank of a Str
Patrick Nasmyth — Near Penshurst, Kent
Marcel Ordinaire — Landscape
John Crome — Hautbois Common, Norfolk
Gustave Courbet — A Brook in the Forest