● On view now — Gallery 202
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The gold text on the bottom edge of the Virgin Mary’s red mantle translates as “Hail, Queen of the heavens, Mother of the king of angels.” These lines, from a hymn called a Marian antiphon, were famously set to music as a choral composition in the 15th century. This kind of polyphonic music, requiring multiple trained voices employed at great expense, was associated with the extravagant culture of the Brussels court. Its evocation here, like the bejeweled crown lowered onto Mary’s head, serves to honor the Virgin and to inspire aural worship.
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Robert Campin — Virgin and Child in an Apse
German — Holy Family
Hans Memling — The Annunciation
Gerard David — Virgin and Child with Four Angels
Stefan Lochner (German, 1400-c. 1452) — The Virgin Crowned b
Albert Bouts (Netherlandish, 1451/55–1549) — The Annunciatio
Bartel Bruyn, the elder — Virgin and Child with Saint Anne,
Hans Memling — Virgin and Child with Saints Catherine of Ale
Hans Memling — The Annunciation
Virgin and Child under a Canopy
Hans Traut — Virgin and Child
South Netherlandish Painter — The Annunciation