Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Shitao’s skillfully rendered composition suggests a sweeping movement from the base of the central rising mass, silhouette of forest, and a bright bend of misty atmosphere under the distant hills, to form almost a continual circle of energy—a gentle vortex. That is a perfect embodiment of the early Qing ideal of a momentous flow, with suggestion of the subterranean veins and linkages.
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清 石濤(朱若極) 遊張公洞圖 卷|Outing to Zhang Gong's Grotto
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
清 石濤(朱若極) 重陽山水圖 軸|Landscape Painted on the Double Ninth F
清 石濤 (朱若極) 山水人物圖 冊頁|Landscape with solitary figure
Wu Li (Chinese, 1632–1718) — Pine Wind from Myriad Villages
Song Xu (Chinese, 1525-c. 1606) — Huanglong Cave (Yellow Dra
Xiao Yuncong (Chinese, 1596–1673) — Album of Seasonal Landsc
Ike Taiga
Min Zhen (Chinese, 1730–after 1788) — Landscape after Mi Fu
Yang Borun (Chinese, 1837–1911) — Autumn Landscape
Ike Taiga (Japanese, 1723–1776) — Fishing in Springtime
Song Xu (Chinese, 1525-c. 1606) — Mt. Fenghuang (Mt. Phoenix
Kan Tenju (Japanese, 1727–1795) — Landscape with Gentle Peak
Hua Yan (Chinese, 1682–c. 1765) — Conversation in Autumn
Song Xu (Chinese, 1525-c. 1606) — Mt. Wuzhan
Wang Gai (Chinese, active c. 1677–1705) — Album of Landscape