Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Shitao’s skillfully rendered composition suggests a sweeping movement from the base of the central rising mass, silhouette of forest, and a bright bend of misty atmosphere under the distant hills, to form almost a continual circle of energy—a gentle vortex. That is a perfect embodiment of the early Qing ideal of a momentous flow, with suggestion of the subterranean veins and linkages.
Be the first to share your thoughts.
Sign in to join the discussion.
清 石濤(朱若極) 遊張公洞圖 卷|Outing to Zhang Gong's Grotto
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
Reminiscences of Qinhuai River
清 石濤(朱若極) 重陽山水圖 軸|Landscape Painted on the Double Ninth F
清 石濤(朱若極)、張子為 忍菴居士像 卷|Portrait of Ren'an in a Landsca
Wu Li (Chinese, 1632–1718) — Pine Wind from Myriad Villages
Song Xu (Chinese, 1525-c. 1606) — Huanglong Cave (Yellow Dra
Utagawa Hiroshige — Tanba Province: Kane Slope (Tanba, Kanes
Xiao Yuncong (Chinese, 1596–1673) — Album of Seasonal Landsc
Ike Taiga
Min Zhen (Chinese, 1730–after 1788) — Landscape after Mi Fu
Yang Borun (Chinese, 1837–1911) — Autumn Landscape
Ike Taiga (Japanese, 1723–1776) — Fishing in Springtime
Song Xu (Chinese, 1525-c. 1606) — Mt. Fenghuang (Mt. Phoenix
Kan Tenju (Japanese, 1727–1795) — Landscape with Gentle Peak
Hua Yan (Chinese, 1682–c. 1765) — Conversation in Autumn
Utagawa Hiroshige — Okabe: Narrow Ivy-covered Road at Mount