Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Min Zhen, who was orphaned at age 12 and developed an eccentric personality, was trained by Tang Yin (1682–1756), a writer, playwright, and superintendent of the imperial porcelain workshops in Jingdezhen. The connection to him may have enabled Min to stay in Beijing for a decade from around 1773. It is not clear whether he ever resided in Yangzhou, but his style is in many instances reminiscent of that of Yangzhou artist Huang Shen. This album demonstrates Min’s versatility and mature style in the last years of his life.
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Shitao (Chinese, 1642–1707) — Reminiscences of Qinhuai River
Wang Jian (Chinese, 1598–1677) — Shade of Pines in a Cloudy 
Wang Jian|Wang Shimin — 清 王鑑 仿古山水圖 冊 紙本|Landscapes in the st
Xiao Yuncong (Chinese, 1596–1673) — Album of Seasonal Landsc
Hua Yan (Chinese, 1682–c. 1765) — Conversation in Autumn
Wu Li (Chinese, 1632–1718) — Pine Wind from Myriad Villages
Wang Shimin — 清 王時敏 仿黃公望山水圖 軸 絹本|Landscape in the style of H
Shi Rui (Chinese, c. 1400-c. 1470) — The Haven of the Peach-
Wang Shimin — Landscape after Wang Meng
Shitao (Zhu Ruoji) — 清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in 
Xiao Yuncong (Chinese, 1596–1673) — Album of Seasonal Landsc
Zha Shibiao (Chinese, 1615–1698) — Landscape Album in Variou
