Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
By depicting a skeleton in a glass coffin, possibly a reference to the Snow White fairy tale, Goya questioned the continued relevance of relics in the Roman Catholic faith. While the bowed heads of onlookers suggest that the box contains the body of an important saint, the donkey carrying it is one of Goya’s favorite embodiments of folly, underscoring the artist’s satirical intent.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 66 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 54 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 51 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 45 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 54 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 13 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 25 from "The Di
Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:
Goya (Francisco de Goya y Lucientes) — Plate 10 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 47 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 74 from "The Di