Francisco José de Goya y Lucientes

Strange Devotion!, plate 66 from The Disasters of War

1815/20, published 1863
Etching and burnished aquatint or lavis on ivory wove paper with gilt edges
15 × 19.4 cm (5.9 × 7.6 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

By depicting a skeleton in a glass coffin, possibly a reference to the Snow White fairy tale, Goya questioned the continued relevance of relics in the Roman Catholic faith. While the bowed heads of onlookers suggest that the box contains the body of an important saint, the donkey carrying it is one of Goya’s favorite embodiments of folly, underscoring the artist’s satirical intent.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Francisco José de Goya y Lucientes

The Hanged MonkThe Hanged MonkFriar Pedro Wrests the Gun from El MaragatoFriar Pedro Wrests the Gun from El MaragatoFriar Pedro Shoots El Maragato as His Horse Runs OffFriar Pedro Shoots El Maragato as His Horse Runs OffPortrait of Isidoro MaiquezPortrait of Isidoro MaiquezWinter SceneWinter SceneFriar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His GunFriar Pedro Offers Shoes to El Maragato and Prepares to PushFriar Pedro Clubs El Maragato with the Butt of the GunFriar Pedro Clubs El Maragato with the Butt of the GunFriar Pedro Binds El Maragato with a RopeFriar Pedro Binds El Maragato with a Rope

More like this

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)Goya (Francisco de Goya y Lucientes) — Plate 66 from "The DiPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)Goya (Francisco de Goya y Lucientes) — Plate 54 from "The DiPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)Goya (Francisco de Goya y Lucientes) — Plate 10 from "The DiPlate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)Goya (Francisco de Goya y Lucientes) — Plate 51 from "The DiPlate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)Goya (Francisco de Goya y Lucientes) — Plate 45 from "The DiPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)Goya (Francisco de Goya y Lucientes) — Plate 54 from "The DiPlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)Goya (Francisco de Goya y Lucientes) — Plate 13 from "The DiPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)Goya (Francisco de Goya y Lucientes) — Plate 25 from "The DiThe Horrors of War:  Strange Devotion!Francisco de Goya (Spanish, 1746–1828) — The Horrors of War:Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)Goya (Francisco de Goya y Lucientes) — Plate 10 from "The DiPlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)Goya (Francisco de Goya y Lucientes) — Plate 47 from "The DiPlate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)Goya (Francisco de Goya y Lucientes) — Plate 74 from "The Di