● On view now — Gallery 215
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This painting depicts a scene from the life of Scipio Africanus, the Roman general who defeated Hannibal in the Battle of Zama (in present-day Tunisia) in 202 BCE. Here Scipio demonstrates his leadership by acting with restraint (“continence”) in refusing to hold a woman as a captive of war. According to the story on which the painting is based, the woman’s fiancé, shown kneeling beside her, was a powerful prince who agreed to a military alliance with Scipio in gratitude for his lenience. The theatrical setting and costumes—the invented military helmets, anachronistically dressed characters, fanciful architecture, and gravity-defying drapery, for example— suggest that the artist’s aims were allegorical rather than historical, intended above all to illustrate for viewers the virtues of compassionate diplomacy.
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Giovanni Antonio Pellegrini (Italian, 1675–1741) — The Conti
Pompeo Batoni (Italian, 1708–1787) — Study for "Antiochus an
Stefano Pozzi — Antiochus Yearning for Stratonice
Jan van Noordt (1623-1676) — The continence of Scipio
Isaac Walraven — Het sterfbed van Epaminondas
Gerard de Lairesse — Cleopatra’s Banquet
Giovanni Battista Tiepolo — Rinaldo and the Magus of Ascalon
Ferdinand Bol — Consul Titus Manlius Torquatus Orders the Be
Giovanni Antonio Fumiani|Pietro Monaco — Daniel argues with
Pietro Monaco|Giovanni Ghisolfi — Jephthah's daughter kneeli
Gerard Hoet (I) — Queen Cleophis Offering Wine to Alexander
Jean-Baptiste Marie Pierre — The Death of Harmonia