Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques Callot’s etching series The Small Passion exemplifies the artist’s penchant for intimate detail. These prints highlight the ways he depicted space throughout a complete narrative. He framed each stage of the Passion of Christ with a different type of architectural or natural element. The porous boundaries of the exterior scenes allow visual movement by extending the view beyond the foreground figures, while the more rigorously contained interior scenes evoke a sense of finality. For example, Callot’s iconic image of the Last Supper takes place within an isolated triumphal arch that resembles an altar.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Johannes van Doetecum — View from a canal of the gate bridge
Salomon Gessner — Procession through a Rustic Gate
Gabriel Jacques de Saint-Aubin — One Never Thinks About It A
Giovanni Battista Piranesi — The Staircase with Trophies, pl
Thomas Wyck — The Blind Beggar Tricked by Lazarillo
Anonymous|Jacques Callot — Reverse Copy of Le Couronnement d
Giovanni Battista Piranesi — The Staircase with Trophies, pl
Johann Heinrich Lips|Henry Fuseli — Wie Till die Schneider d
Giovanni Battista Piranesi — The Grand Piazza, plate 4 from
Jean Baptiste Tilliard, I — Release from College, from The G
Albrecht Dürer — The Adoration of the Magi, from "The Life o
Anonymous|Jacques Callot — Reverse Copy of Jésus est Battu d