Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Lone Boat, North Woods Club, Adirondacks speaks powerfully of the fisherman’s communion with nature. The medium of watercolor offered the perfect metaphor as well as technical means to express this relationship; its very wetness allows the forms of man and nature to run together, absorbed by the hazy atmosphere. In The Lone Boat , Homer constructed a nearly abstract composition along a strong horizon line, with the trees on the shore and their reflections in the water forming a symmetrical design. The effect is similar to that achieved when a still-wet sheet is folded at the center and blotted. Homer painted the sky using multiple hues and a complex array of techniques, including resist , blotting, scraping, and wet-into-wet brushwork. The resulting textures and contrasts create a strong sense of movement, of clouds accumulating and dispersing while light shifts and changes across their forms.
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Winslow Homer (American, 1836–1910) — Mink Lake, Adirondacks
Muirhead Bone (British, 1876–1953) — Noonday, Lake Noxen, Sw
Hercules Brabazon Brabazon (British, 1821–1906) — In the Alp
David Cox — Study of Clouds (recto); Study of an Elder Bush
John Constable — Cloud Study
Anonymous — Cloud Study
Anonymous — Cloud Study
Anonymous — Cloud Study
Rosa Bonheur (French, 1822–1899) — Tree Study
Simon Denis — Cloud Study (Early Evening)
Theodore Roussel — The Sea at Bognor