Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this vision from Revelation 11:1–13, a vibrant and industrious Saint John appears in small scale at the upper left. He holds a reed in his hand in order to measure the Temple of Jerusalem. The two larger figures recurring throughout the composition represent witnesses to events in the temple: they receive divine power issued by mouth from the figure of God the Father above the altar, they perish at the mercy of a beast from the abyss (at lower right), and are eventually resurrected (not pictured here).
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Jean Duvet (French, 1485–1561) — The Apocalypse: The Measur
Jean Duvet (French, 1485–1561) — The Apocalypse: An Innumer
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Jean Duvet (French, 1485–1561) — The Apocalypse: The Winepr
Jean Duvet (French, 1485–1561) — The Apocalpse: St. John Su
Jean Duvet (French, 1485–1561) — The Apocalypse: The Fall o
Jean Duvet (French, 1485–1561) — The Apocalypse: The Dragon
Jean Duvet (French, 1485–1561) — The Apocalpse: An Innumera
Jean Duvet (French, 1485–1561) — The Apocalypse: The Woman
Giovanni Antonio da Brescia (Italian) — Descent into Limbo
Jacob Matham — The Table of Cebes (plate 1)
Andrea Andreani — Mucius Scevola